Where to see it: Available to stream on YouTube and GooglePlay. Where to see it: Not currently available on home cinema. All images, names, and trademarks are copyright and the property of their respective owners. Where to see it: Out now on Blu-ray and DVD and available to stream on BFI Player. Find them by going back to agoodmovietowatch.com. Married at First Sight Australia season six is heating up on E4 this January.. And viewers have already got to know talent agent Melissa Lucarelli who took part in … Hand-picked. Tamara Kotevska & Ljubomir Stefanov, Macedonia. “‘The reason why a film makes such an intimate connection with an audience is always a mystery,’ Almodóvar told me when I told him his film had made S&S’s top ten poll. Co-directed by former Aleppo resident and self-taught video journalist Waad al-Kateab with Emmy-winning filmmaker Edward Watts, it’s a first-person account of what it means to live smack-bang in the middle of an active war zone. Where to see it: Released in UK cinemas on 17 January 2020. This global critical and commercial hit fuses home-invasion thrills with a searing critique of social inequality in a rip-roaring comedy about a con-artist family who spy easy prey in a well-to-do household. It's original, low-budget without feeling low-budget, and honestly just so thrilling. A film that resurrects the idea of the undead to examine slavery, colonialism and the pomp of the French state. A magic-realist fable of modern servitude, ancient bonds and timeless miracles, focused on a beatific innocent. The director’s latest feature concerns the same group of impoverished Cape Verdean immigrants familiar from his previous films, and follows Vitalina Varela as she moves from Cape Verde to her deceased husband’s shack in a bairro on the outskirts of Lisbon. Where to see it: Now available on Channel 4’s All 4 platform. Where to see it: Comes to UK DVD/Blu-ray and digital platforms on 6 January. Find out about international touring programmes, BFI Film Academy: opportunities for young creatives, Get funding to progress my creative career, Search the BFI National Archive collections, Read research data and market intelligence, Search for projects funded by National Lottery, Apply for British certification and tax relief, Get help as a new filmmaker and find out about NETWORK, Find out about booking film programmes internationally. “It’s a blast: a finely tuned romp which, although it takes the conventions of the genre very seriously, has no such reverence when it comes to its own filmmaking approach. Lakeith Stanfield (Atlanta) is a guy called Cassius who struggles to pay his bills. “Drops us dextrously into the relentless social Darwinism of early adolescence. Here's the true story behind the famous night in … The Favourite offers rich, ribald, often lethally vicious period farce.”. Despite the documentary's scope and depth, this is the type of film that leaves you wanting more and you might find yourself browsing through Wikipedia and YouTube for another hour to stay in the vibe. “One of the most powerful and essential films of recent years. All rights reserved. Overacting is positively encouraged and the production design is littered with wittily repurposed instruments of death.”. We began developing Rose Plays Julie back in 2013. Lebanese director Nadine Labaki was the first female Arab director to be nominated for Best Foreign Language Film at the Academy Awards. Things escalate unexpectedly and the couple, one of whom is a lawyer aware of the corruptedness of the system, start a life on the run together. “An absorbing social study about hopes, dreams and our current climate. Its feverish visuals rupture any sense of surface realism, creating a disarming, almost surrealist universe where anarchy takes hold. The director’s rapturous and radical costume romance between a painter, Marianne (Noémie Merlant), and her unwilling subject Héloïse (Adèle Haenel) finds a halcyon space without men for its young lovers. While there's obviously some feminism in there somewhere, that's not at the heart of what this film is about. “In the wide, green eyes of actor Adriano Tardiolo, Rohrwacher finds a gaze that sheds all cynicism, a guileless anchor for her devastating exploration of the false promise of progress and the elusive possibility of collective happiness.
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